If you're getting strange results, it may be that your query isn't quite in the right format. The search box should be a simple word or phrase, like "tiger" or "blue eyes". A search for words to describe "people who have blue eyes" will likely return zero results.
So if you're not getting ideal results, check that your search term, " term " isn't confusing the engine in this manner. Note also that if there aren't many term adjectives, or if there are none at all, it could be that your search term has an abiguous part-of-speech. For example, the word "blue" can be an noun and an adjective. This confuses the engine and so you might not get many adjectives describing it. I may look into fixing this in the future. The idea for the Describing Words engine came when I was building the engine for Related Words it's like a thesaurus, but gives you a much broader set of related words, rather than just synonyms.
At the tragic ending of Othello , Iago's dishonesty is revealed, as the truth of his lies to Othello were unveiled. Throughout the play, Iago in fact mentions that he is actually a very honest and trustworthy man, but that is truly ironic as the audience knows he is being dishonest when saying he is trustworthy. His plan of framing the affair of Desdemona and Cassio is completely based around him lying to Othello.
But for all this, as his plot against Othello starts moving and gathering momentum, he loses control of it and must take real risks to prevent it from crashing. Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life.
Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. The one man who survived Iago's attempt to kill him, Cassio, is the only major character left standing at the end of the play. William Hazlitt wrote: "Iago is an extreme instance. He is quite or nearly indifferent to his own fate as to that of others; he runs all risks for a trifling and doubtful advantage, and is himself the dupe and victim of ruling passion — an insatiable craving after action of the most difficult and dangerous kind.
The great nineteenth-century actor Booth wrote about playing Iago: "To portray Iago properly you must seem to be what all the characters think, and say, you are, not what the spectators know you to be; try to win even them by your sincerity. Don't act the villain, don't look it, or speak it, by scowling and growling, I mean , but think it all the time. Be genial, sometimes jovial, always gentlemanly. Iago double crosses all the characters who consider him a friend.
Most shockingly, perhaps, he kills Roderigo, a character with whom he has conspired and been mostly honest throughout the play. He uses Roderigo to perform his dirty work, and without him would have been unable to discredit Cassio in the first place. However, Roderigo seems to know Iago best.
Perhaps having guessed that he may be double-crossed, he writes letters which he keeps on his person that eventually discredit Iago and his motives completely. Iago is unrepentant in his communication with the audience. What you know, you know. He feels justified in his actions and does not invite sympathy or understanding as a result.
Though deeply unpleasant, Iago must have considerable intellect to devise and deploy his plans, and to convince the other characters of his various deceptions along the way. Iago is unpunished at the end of the play. The audience believes that he will be punished, but it's left open for the audience to wonder whether he will get away with his evil plans by concocting another deception or violent act.
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