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They were prompt in their responses, and were incredibly helpful with all of my questions and concerns. Their role in the planning process allowed for a smooth and successful event. It truly felt like they were invested in the event and wanted the best outcome for our organization. We want to thank you for all your efforts to ensure the speaker's visit to Facebook was a success.
Everything you did, all the communication and coordination you shared with us, led to an event that will no doubt be remembered by attendees for the rest of their lives. We are enormously grateful he was able to share his story with us. The event was a strong success, and we are getting rave reviews from individuals all throughout the organization. Thank you for your support with booking and coordinating the speakers.
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We will no doubt be in touch next year. Thank you, thank you, thank you for your agency's incredible support in arranging for this event. I can say that our enthusiasm - which was already high - has now gone through the roof. The team at AAE has been essential in the process and are now heroes in our office.
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After announcing their engagement in the summer of , the ballroom duo hit the road for the Dancing with the Stars: Live! The couple married on April 13, , and jumped right into another season of "DWTS" later that fall and the live tour in Take, for example, their work in an iPhone 11 Pro Max promo last fall, directed by Hurwitz and starring Garcia alongside a bevy of other ballet standouts.
The spot presented the daily lives of dancers in a more modern way—bringing ballet to a larger audience in the process. For the past decade, Stephen "tWitch" Boss and Allison Holker have been dominating the dance world—and this past year might've been their most noteworthy yet. Holker gave birth to their youngest daughter in November, and even at 9 months pregnant, she was still dancing alongside Boss on "Ellen" and for their combined Instagram following of over 3 million.
It was admiration for each other's work that first brought contemporary choreographer Kirsten Russell and tapper Nick Young together. Before they started dating, the two collaborated artistically, with Russell presenting work as part of a show that Young's company, Rhythmatic , produced. The two hope to plan another show together in the near future. But in the meantime, they've got plenty of dance projects to keep them busy. The call came after a lengthy audition process with Spielberg in the room, and the role, originated by Wilma Curley on Broadway in and later portrayed by Gina Trikonis in the film, was her biggest dream.
In fact, it's something Garcia-Lee says she manifested from the day plans for the movie were announced in January On top of her regular training, she would travel multiple hours each day to New York City and New Jersey for classes with Steps on Broadway and the Princeton Ballet School, respectively. Her bedroom walls were lined with cutouts from the pages of Dance Spirit , which served as inspiration for her goals. Her mother, Terri Garcia, was a professional dancer in the s she even danced Francisca in the West Side Story tour in , and Garcia-Lee was eager to follow in her footsteps.
Garcia-Lee went to high school at the University of North Carolina School of the Arts, where she studied first ballet and then drama. As a sophomore, she was cast as Graziella in her school's production of West Side Story. The magic of performing Jerome Robbins' iconic choreography never left her.
She's been banging on West Side Story 's door ever since. All the while, she held out hope that West Side Story would someday come her way.
In , Garcia-Lee was considered for Graziella in the Broadway revival but didn't get the role after countless callbacks. After that, two more productions didn't cast her as Graziella.
For the Broadway revival, she was only offered the opportunity to audition for the role of Anybodys. She turned down both opportunities in favor of other projects—she would wait for Graziella. Despite the rejection, she was undeterred. So when Deadline published an article announcing the film remake, Garcia-Lee felt that playing Graziella was meant to be. At the audition, the casting room was filled with many of her friends and fellow Broadway darlings, like Eloise Kropp Cats and Jonalyn Saxer Mean Girls.
According to the film's choreographer, Justin Peck, Garcia-Lee quickly caught the eye of the creative team. I could sense that from the first audition. At the same time, she was committed to the Broadway run of Moulin Rouge! She spent much of the winter and early spring of trying to figure out how to do it all. She asked if she could miss some rehearsals and most preview performances including the all-important first preview performance so she could film her scenes in the movie.
I'll never forget Steven up on a ladder, then Steven halfway down the ladder, and then Steven on a rolling chair, Steven lying on the floor looking up at [the choreography] this way, Justin tweaking and tweaking. Rehearsals for the iconic "Dance at the Gym" scene lasted two weeks. Before the work began, Garcia-Lee says, she familiarized herself with Peck's work as much as she could to get a sense of his style.
However, I loved the challenge of it. Once rehearsals wrapped, filming for "Dance at the Gym" lasted six days, and according to Garcia-Lee, her feet never hurt so badly in her entire life. But that didn't stop her from soaking up the magic. Especially on the day she and her co-star Mike Faist Riff shot their duet. We lost ourselves in the art. We finally got to the end of [the take and] Mike and I fell to the floor.
Steven ran over to us, dove on the floor with us and smothered us with love. It was magic. But all those celebratory can-can kicks came to a crashing halt in March when the pandemic hit, just as she felt she was "stepping into the height of her career. Though she thankfully recovered, she was left wondering what the future would hold. Several months later, it was announced that West Side Story 's release was going to be pushed back a year.
Garcia-Lee spent her days volunteering at a horse stable in Brooklyn. It was the first time in decades she found the time to get back into the saddle like she did as a kid growing up close to the Bucks County farms. She found solace and comfort around the horses.
Then, with the help of her dad, she drove across the country to L. She wanted to focus on acting and find something new to give her purpose. But that doesn't mean she let go of dance. As studios resumed in-person classes, Garcia-Lee returned to the dance floor.
The learning curve right now is having a lot of grace with myself. When it comes to professional work, Garcia-Lee's been auditioning for film and TV projects while cultivating the next phase of her career. She also dreams of playing Roxie in Chicago on Broadway. After a yearlong delay, she is physically and mentally ready to celebrate playing Graziella. The timing is exactly right. Photo by Jayme Thornton. Stewart Thornhill Add to My Shortlist. Lurie Institute Alex Wong Add to My Shortlist.
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